DRAWING LIFE by fred hatt

2009/12/23

Snow in the City

Snowy Skyy, 2001, photo by Fred Hatt

Last weekend the Eastern U.S. had its first major snowfall of the season, immediately preceding the Winter Solstice.  Around this time of year our culture ritually celebrates the White Christmas and the Winter Wonderland, Jack Frost and Frosty the Snowman, calling up nostalgic images of horse-drawn sleigh rides and cozy houses among rolling hills of pure white.  The reality of snow in the city is more conflicted, both soft and harsh, beauty that rapidly becomes ugliness.  In honor of the season, here are some photos from my collection, images of great New York City snowfalls of the past decade.

Streetlamps illuminate the beautiful movement of swirling snow.  Because of its lightness, snow shows the complexity of whorls and eddies in the flowing air:

Streetlamp Flurry, 2003, photo by Fred Hatt

Snow at Ground Zero, 2005, photo by Fred Hatt

The first dusting adds a cool glamor to the gritty street:

Powdered Bus Lane, 2003, photo by Fred Hatt

Snow Traffic, 2001, photo by Fred Hatt

Nothing imparts mystery to our mundane environment of walls and ads like a white veil:

Snow-Masked, 2003, photo by Fred Hatt

I Love You, 2006, photo by Fred Hatt

Even when the snow is really coming down, the city is always full of rush and bustle:

Spring Snow, 2003, photo by Fred Hatt

Colors on White, 2003, photo by Fred Hatt

If it gets heavy enough, the car traffic stops and major streets become walkways, as in these pictures taken while walking down the middle of Broadway during the blizzard of 2003:

Posing in Blizzard, 2003, photo by Fred Hatt

Snowy Broadway, 2003, photo by Fred Hatt

In the photo immediately above you can see the fog-like effect, with objects in the distance fading to white.  As night falls, beams of light cut and color the swirls and piles:

Snow in Headlights, 2005, photo by Fred Hatt

Blizzard Outside Deli, 2005, photo by Fred Hatt

Snowy Sidewalk, 2005, photo by Fred Hatt

Snow Shadows, 2003, photo by Fred Hatt

Snowscape, 2005, photo by Fred Hatt

Snow’s crumbly clumps cling to windows:

Snowy Windshield, 2005, photo by Fred Hatt

Snow on Skylight, 2003, photo by Fred Hatt

Like grains of sand in an oyster, parked cars are coated with smoothness until they become great white round mounds:

Buried Cars, 2006, photo by Fred Hatt

Snowdrift Car, 2006, photo by Fred Hatt

Other objects are transformed, like this concrete cherub (a popular decoration in my Italian neighborhood):

Snowcapped Cherub, 2005, photo by Fred Hatt

In the heaviest blizzards, like the one we had in 2003, snowfall penetrates even the subway system, drifting down the stairs and through the vents in the sidewalk:

Subway Stairs, 2003, photo by Fred Hatt

Subway Drift, 2003, photo by Fred Hatt

The snow seems to capture particles of diesel exhaust and other things floating in the air, and as it melts off peoples’ shoes the subway tiles get coated with an oily grunge:

Snow Pile in Subway, 2003, photo by Fred Hatt

Snowplows clearing the streets pile the snow up into huge mountains, packing in parked cars and creating pedestrian barriers that have to be scaled:

Wall of Snow, 2003, photo by Fred Hatt

Storm drains are clogged and gutters and crosswalks become lakes of dirty slush:

Slush Pallet, 2003, photo by Fred Hatt

Within a day, New York City snow is gray and filthy.  Hardened chunks remain even as shoveling, plowing and relentless traffic clear the routes:

Dirty Snow, 2007, photo by Fred Hatt

The high piled-up mounds can last for weeks, even through warm weather, becoming nastier day by day.  I’m sure this is what our lungs look like from breathing urban air:

Filthy Snow, 2003, photo by Fred Hatt

As the ice retreats, the salt and other residues leave sedimentary markings on the sidewalk:

Snow Residue, 2008, photo by Fred Hatt

And when the sun comes out, melting snow rains down from the buildings and construction sheds, glittering like gems in the sunlight:

Snowmelt, 2003, photo by Fred Hatt

2009/11/23

To Dance a Landscape

November from Fred Hatt on Vimeo.

November is a film I made in collaboration with dancer Jung Woong Kim of U-Turn Dance Company.  This is about as spontaneous as filmmaking can get.  Jung Woong and I just met one day at Brooklyn’s Prospect Park, walked around looking for suitable settings, and then filmed Jung Woong’s improvisations in the moment.

Most dance video makers nowadays seem to rely heavily on editing, choreographing by assembling moments of movement.  Our approach, by contrast, was to find settings that would provide a frame or field of play, keeping the camera fixed and allowing mostly uninterrupted movement to sketch the spatial potential of the topology.

There is no music, but the crunching and swishing of dry autumn leaves becomes a complex rhythmic composition.  The urban aspect of the setting is expressed through the auditory environment, which includes aircraft, traffic, and distant voices.

Before the advent of high definition video, this kind of mise en scène approach required 35mm film.  This video was made with a humble Canon HV20 (with wide angle adapter and external microphone), but the detail is sufficient to show texture and atmospheric depth in a long shot, which conveys a great deal about a dancer’s exploration of the possibilities of a natural space.

If your computer can handle high definition video, check out the HD version on Vimeo.

Here are three still frames from the video:

Still from "November", 2009, a video by Jung Woong Kim & Fred Hatt

Still from "November", 2009, a video by Jung Woong Kim & Fred Hatt

Still from "November", 2009, a video by Jung Woong Kim & Fred Hatt

Still from "November", 2009, a video by Jung Woong Kim & Fred Hatt

Still from "November", 2009, a video by Jung Woong Kim & Fred Hatt

Still from "November", 2009, a video by Jung Woong Kim & Fred Hatt

2009/11/17

The Spirit of Weeds

Sidewalk Reclaimed, 2004, photo by Fred Hatt

Sidewalk Reclaimed, 2004, photo by Fred Hatt

Weeds are feral plants, the bane of gardeners and pavers.  They thrive in the most inhospitable settings, taking root in the sooty dust that collects in cracks, taking over abandoned urban spaces with remarkable speed, breaking concrete and reclaiming mankind’s barrens for the kingdom of plants.

Straight and Scribbly Lines, 2004, photo by Fred Hatt

Straight and Scribbly Lines, 2004, photo by Fred Hatt

Weeds on Stairs, 2003, photo by Fred Hatt

Weeds on Stairs, 2003, photo by Fred Hatt

Urban Copse, 2006, by Fred Hatt

Urban Copse, 2006, by Fred Hatt

Weeds may be glorious wildflowers or medicinal herbs, thistles, grasses or ivies.  The kind that thrive in cities often seem to have forms that are ragged, jagged, scribbly, electric.  They’re tough and prickly, like many urban dwellers.

Street Grass, 2008, photo by Fred Hatt

Street Grass, 2008, photo by Fred Hatt

Grassburst, 2007, photo by Fred Hatt

Grassburst, 2007, photo by Fred Hatt

Demolition Site, 2009, photo by Fred Hatt

Demolition Site, 2009, photo by Fred Hatt

In our uncertain time, everything seems to be breaking down.  Industrial civilization defines prosperity only as growth, but the limits to growth are looming everywhere.  Population and consumption of resources have exploded.  The atmosphere is running a fever.  Our food and all our technology are built on reservoirs of oil that may be running dry.  Our financial system is metastatic, a cancer growing on the real economy.  Our political system is sclerotic, too beholden to moneyed interests to act for the common good.  Bold change will not come from our leaders, but only from our forced adaptation to catastrophes.

Greenpoint Dandelions, 2003, photo by Fred Hatt

Greenpoint Dandelions, 2003, photo by Fred Hatt

Such times will be hard for vast monocultures, and for hothouse flowers (and I do intend those as human metaphors).  Such times call for weedy spirits, for those that can find their earthly grounding even in the decaying manufactured world, and who burst with green power, determined to reassert the forces of life.

Storm Drain Greenery, 2004, photo by Fred Hatt

Storm Drain Greenery, 2004, photo by Fred Hatt

Cobblestone Grass, 2002, photo by Fred Hatt

Cobblestone Grass, 2002, photo by Fred Hatt

Blue/Yellow/Green, 2002, photo by Fred Hatt

Blue/Yellow/Green, 2002, photo by Fred Hatt

Backlit Weeds, 2002, photo by Fred Hatt

Backlit Weeds, 2002, photo by Fred Hatt

Vacant Lot, 2002, photo by Fred Hatt

Vacant Lot, 2002, photo by Fred Hatt

I took all the photos in this post in New York City, over the last seven years.

2009/11/04

Subway Sax

Filed under: Video: Music — Tags: , , , , — fred @ 23:30

Subway Sax from Fred Hatt on Vimeo.

In honor of my brother, Frank, and in celebration of his moving back to the Northeast after a sojourn in Oklahoma, I’m posting a video we made eighteen years ago. This is Frank improvising on his alto saxophone in the West 4th Street Subway Station in Manhattan on a late evening in 1991, filmed with the new technology of the day, an 8mm video camcorder. I observed Frank as I would observe an unknown Subway musician, sometimes watching him, sometimes watching other things going on in the station as a dance to the saxophone’s wail.

This became a piece about the rhythms of crowds and loneliness, trains and people coming in and going out like waves on the shore, an urban surf that goes on ceaselessly through all the stations of the Subway.

I made new titles for it and changed it to monochrome as the original color wasn’t very pretty.  Otherwise this is the same as the original edit I made in 1991, edited on U-matic at Film/Video Arts, where I worked at that time.

2009/09/09

9/11: Signs in the Aftermath

Filed under: Photography: Signs and Displays — Tags: , , , — fred @ 23:34
The Looming Towers, January, 2001, photo by Fred Hatt

WTC: The Looming Towers, January, 2001, photo by Fred Hatt

For those of us who lived in New York City, the 11th of September, 2001 was a day of shock and loss, but the years following that day have been a slow-motion tragedy of squandered opportunities and betrayed values.  Here’s the story of the first five years following the attacks, told through pictures of signs and displays that I saw in my everyday urban peregrinations, in chronological order.

Sip from History, September, 2001, photo by Fred Hatt

Sip from History Untarnished, September, 2001, photo by Fred Hatt

Still Standing, September, 2001, photo by Fred Hatt

Still Standing, September, 2001, photo by Fred Hatt

Bus Shelter, September, 2001, photo by Fred Hatt

Bus Shelter, September, 2001, photo by Fred Hatt

God Is Love, September, 2009, photo by Fred Hatt

God Is Love, September, 2001, photo by Fred Hatt

Jules et Jim, December, 2001, photo by Fred Hatt

Jules et Jim, December, 2001, photo by Fred Hatt

Church Sign, December, 2001, photo by Fred Hatt

Church Sign, December, 2001, photo by Fred Hatt

Macy's Window, December, 2001, photo by Fred Hatt

Bloomingdales Window, December, 2001, photo by Fred Hatt

Firefighter Statue, January, 2002, photo by Fred Hatt

Firefighter Statue, January, 2002, photo by Fred Hatt

Fallen Officers Shrine, March, 2002, photo by Fred Hatt

Fallen Officers Shrine, March, 2002, photo by Fred Hatt

God Bless America Beware of Dogs, June, 2002, photo by Fred Hatt

God Bless America Beware of Dogs, June, 2002, photo by Fred Hatt

Memorial Mural, September, 2002, photo by Fred Hatt

Memorial Mural, September, 2002, photo by Fred Hatt

Arrest Warmonger Bush, September, 2002, photo by Fred Hatt

Arrest Warmonger Bush, September, 2002, photo by Fred Hatt

The flyer on the left reads:  “Arrest warmonger Bush!  A true genocidal Nuremberg criminal.”   The one on the right reads: “I’m digging my grave now, but SOON it will be YOUR turn.  War: Get used to it.  A message from the Ministry of Homeland Security.”

Floral WTC Mural, January, 2003, photo by Fred Hatt

Floral WTC Mural, January, 2003, photo by Fred Hatt

Yellow Ribbon, April, 2003, photo by Fred Hatt

Yellow Ribbon, April, 2003, photo by Fred Hatt

Tribute in Light, September, 2003, photo by Fred Hatt

Tribute in Light, September, 2003, photo by Fred Hatt

Tchotchkes, October, 2003, photo by Fred Hatt

Tchotchkes, October, 2003, photo by Fred Hatt

America Will, October, 2003, photo by Fred Hatt

America Will, October, 2003, photo by Fred Hatt

A Day Hasn't Passed, November, 2003,  photo by Fred Hatt

A Day Hasn't Passed, November, 2003, photo by Fred Hatt

Our Response to Violence, November, 2003, photo by Fred Hatt

Our Response to Violence, November, 2003, photo by Fred Hatt

The caption on the image on the right says: “This will be our response to violence: To make music more intensely, more beautifully, more devotedly than ever before.  -Leonard Bernstein”

Check Cashing, March, 2004, photo by Fred Hatt

Check Cashing, March, 2004, photo by Fred Hatt

The caption on the flag reads: “To those we lost and their families, our prayers; to those who helped, our love; to those responsible, our wrath.”

Wanted Dead or Alive, April, 2004, photo by Fred Hatt

Wanted Dead or Alive, April, 2004, photo by Fred Hatt

The poster says: “Wanted Dead or Alive: Osama bin Laden, for mass murder in New York City.”

We Live in Danger, August, 2004, photo by Fred Hatt

We Live in Danger, August, 2004, photo by Fred Hatt

Ruining the World, September, 2004, photo by Fred Hatt

Ruining the World, September, 2004, photo by Fred Hatt

Be Suspicious, November, 2004, photo by Fred Hatt

Be Suspicious, November, 2004, photo by Fred Hatt

The poster on the trash receptacle reads: “If you see something, say something.  Be suspicious of anything unattended.  Tell a police officer, a Times Square Alliance employee, or call 1-888-NYC-SAFE.”

Defend the Constitution, November, 2004, photo by Fred Hatt

Defend the Constitution, November, 2004, photo by Fred Hatt

Vote or Die, November, 2004, photo by Fred Hatt

Vote or Die, November, 2004, photo by Fred Hatt

Worst President Ever, November, 2004, photo by Fred Hatt

Worst President Ever, November, 2004, photo by Fred Hatt

His Nickname Was Boo, January, 2005, photo by Fred Hatt

His Nickname Was Boo, January, 2005, photo by Fred Hatt

The poster says “George Fernandez.  His nickname was Boo.  Not just a statistic.”

I Want You, January, 2005, photo by Fred Hatt

I Want You, January, 2005, photo by Fred Hatt

Seeking Information Alert, February, 2005, photo by Fred Hatt

Seeking Information Alert, February, 2005, photo by Fred Hatt

The flyer says: “Seeking Information Alert.  These individuals are being sought in connection with possible terrorists threats against the United States.  Contact Information:  If you have any information concerning these individuals, please contact the local FBI office or the nearest American Embassy or Consulate.”

Memorial and Trashbins, March, 2006, photo by Fred Hatt

Memorial and Trashbins, March, 2006, photo by Fred Hatt

Random Search, May, 2006, photo by Fred Hatt

Random Search, May, 2006, photo by Fred Hatt

These Colors Don't Run, July, 2006, photo by Fred Hatt

These Colors Don't Run, July, 2006, photo by Fred Hatt

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