DRAWING LIFE by fred hatt

2009/12/23

Snow in the City

Snowy Skyy, 2001, photo by Fred Hatt

Last weekend the Eastern U.S. had its first major snowfall of the season, immediately preceding the Winter Solstice.  Around this time of year our culture ritually celebrates the White Christmas and the Winter Wonderland, Jack Frost and Frosty the Snowman, calling up nostalgic images of horse-drawn sleigh rides and cozy houses among rolling hills of pure white.  The reality of snow in the city is more conflicted, both soft and harsh, beauty that rapidly becomes ugliness.  In honor of the season, here are some photos from my collection, images of great New York City snowfalls of the past decade.

Streetlamps illuminate the beautiful movement of swirling snow.  Because of its lightness, snow shows the complexity of whorls and eddies in the flowing air:

Streetlamp Flurry, 2003, photo by Fred Hatt

Snow at Ground Zero, 2005, photo by Fred Hatt

The first dusting adds a cool glamor to the gritty street:

Powdered Bus Lane, 2003, photo by Fred Hatt

Snow Traffic, 2001, photo by Fred Hatt

Nothing imparts mystery to our mundane environment of walls and ads like a white veil:

Snow-Masked, 2003, photo by Fred Hatt

I Love You, 2006, photo by Fred Hatt

Even when the snow is really coming down, the city is always full of rush and bustle:

Spring Snow, 2003, photo by Fred Hatt

Colors on White, 2003, photo by Fred Hatt

If it gets heavy enough, the car traffic stops and major streets become walkways, as in these pictures taken while walking down the middle of Broadway during the blizzard of 2003:

Posing in Blizzard, 2003, photo by Fred Hatt

Snowy Broadway, 2003, photo by Fred Hatt

In the photo immediately above you can see the fog-like effect, with objects in the distance fading to white.  As night falls, beams of light cut and color the swirls and piles:

Snow in Headlights, 2005, photo by Fred Hatt

Blizzard Outside Deli, 2005, photo by Fred Hatt

Snowy Sidewalk, 2005, photo by Fred Hatt

Snow Shadows, 2003, photo by Fred Hatt

Snowscape, 2005, photo by Fred Hatt

Snow’s crumbly clumps cling to windows:

Snowy Windshield, 2005, photo by Fred Hatt

Snow on Skylight, 2003, photo by Fred Hatt

Like grains of sand in an oyster, parked cars are coated with smoothness until they become great white round mounds:

Buried Cars, 2006, photo by Fred Hatt

Snowdrift Car, 2006, photo by Fred Hatt

Other objects are transformed, like this concrete cherub (a popular decoration in my Italian neighborhood):

Snowcapped Cherub, 2005, photo by Fred Hatt

In the heaviest blizzards, like the one we had in 2003, snowfall penetrates even the subway system, drifting down the stairs and through the vents in the sidewalk:

Subway Stairs, 2003, photo by Fred Hatt

Subway Drift, 2003, photo by Fred Hatt

The snow seems to capture particles of diesel exhaust and other things floating in the air, and as it melts off peoples’ shoes the subway tiles get coated with an oily grunge:

Snow Pile in Subway, 2003, photo by Fred Hatt

Snowplows clearing the streets pile the snow up into huge mountains, packing in parked cars and creating pedestrian barriers that have to be scaled:

Wall of Snow, 2003, photo by Fred Hatt

Storm drains are clogged and gutters and crosswalks become lakes of dirty slush:

Slush Pallet, 2003, photo by Fred Hatt

Within a day, New York City snow is gray and filthy.  Hardened chunks remain even as shoveling, plowing and relentless traffic clear the routes:

Dirty Snow, 2007, photo by Fred Hatt

The high piled-up mounds can last for weeks, even through warm weather, becoming nastier day by day.  I’m sure this is what our lungs look like from breathing urban air:

Filthy Snow, 2003, photo by Fred Hatt

As the ice retreats, the salt and other residues leave sedimentary markings on the sidewalk:

Snow Residue, 2008, photo by Fred Hatt

And when the sun comes out, melting snow rains down from the buildings and construction sheds, glittering like gems in the sunlight:

Snowmelt, 2003, photo by Fred Hatt

2009/03/19

Equinox Pix

Topsy Turvy, 2001, photo by Fred Hatt

Return, 2001, photo by Fred Hatt

Inside Outside, 2001, photo by Fred Hatt

Inside Outside, 2001, photo by Fred Hatt

Today is the Vernal Equinox, the time when day and night are of equal length, and in the Northern Hemisphere the official beginning of Spring.  Transitional times tend to arouse the symbolic impulse in a person of pagan tendencies like me.  These are Nature’s magical moments.  I live in a very dense city, where Nature expresses herself despite all our human efforts to neutralize and ignore her.

I often carry a camera with me, photographing my urban environment, its patterns and textures, light and shadows, structure and disorder.  I’ve never shown these city snapshots as art, but they have been for me an important exercise in sharpening perception.  I’m fascinated with the act of framing what I see, and with seeing how different films and cameras and lenses render images and how that compares to the image in my own eyes or mind.  I really believe seeing is a faculty that needs to be practiced and exercised constantly.

Taking pictures also challenges my creativity.  Anyone can get striking images by going to an exotic locale or a special event – but isn’t it a bit depressing to be at some obvious photo opportunity and see throngs of lens-jockeys?  A much greater assignment to give yourself is to see the photographic potential in the mundane environment you move through every day.  That’s why I carry a camera when I’m going out to run errands or go to work or visit friends.  Activating the image-hunter’s eye can enchant the most quotidian journey.

All the images I’ve chosen for this post were taken within a day or two of the March Equinox, in various years.  I wasn’t trying to express anything particular about the season, but looking at them in a seasonal context may evoke something.

Totem 1, 2004, photo by Fred Hatt

Totem 1, 2004, photo by Fred Hatt

Totem 2, 2004, photo by Fred Hatt

Totem 2, 2004, photo by Fred Hatt

In the urban environment, Nature expresses not just in the unavoidable elemental phenomena of weather and growing things, but in a kind of dynamic chaos that results from the density of forces and beings struggling to make their mark.

I’m often attracted to patterns that are twisted, tangled, and layered.

Tangle 1, 2005, photo by Fred Hatt

Tangle 1, 2005, photo by Fred Hatt

Tangle 2, 2005, photo by Fred Hatt

Tangle 2, 2005, photo by Fred Hatt

Tangle 3, 2005, photo by Fred Hatt

Tangle 3, 2005, photo by Fred Hatt

I’m also fascinated by reflections.  The city is full of water and glass and metal and other shiny things.  Sometimes multiple reflections nest patterns within patterns in a dazzling way.

Rereflection 1, 2007, photo by Fred Hatt

Rereflection 1, 2007, photo by Fred Hatt

Rereflection 2, 2007, photo by Fred Hatt

Rereflection 2, 2007, photo by Fred Hatt

The buiding above, with its rigid rectangles broken by distorted reflections of the other rigid rectangles across the way, becomes a thoroughly psychedelic labyrinth when seen in the wind-stirred reflecting pool in the plaza at its base.

Hail spring and the rise of bursting freshness, color and light!  And keep checking back here – more drawing and painting are coming over the weekend!

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