{"id":2514,"date":"2011-05-06T23:23:08","date_gmt":"2011-05-07T04:23:08","guid":{"rendered":"http:\/\/fredhatt.com\/blog\/?p=2514"},"modified":"2014-12-14T20:23:54","modified_gmt":"2014-12-15T01:23:54","slug":"the-patterned-body","status":"publish","type":"post","link":"https:\/\/fredhatt.com\/blog\/2011\/05\/06\/the-patterned-body\/","title":{"rendered":"The Patterned Body"},"content":{"rendered":"
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Exoskeleton, 1997, bodypaint and photo by Fred Hatt<\/p><\/div>\n

The human body is magnificent in its structure but fairly bland in coloration.\u00a0 It comes in a range of tones that can be roughly approximated by various ratios of coffee to cream.\u00a0 We admire the spots of the cheetah, the tiling of the giraffe, the patchwork of the calico cat, the bold colors of the mandrill, and the psychedelic riot of tropical birds, fish and lizards.\u00a0 One thing you can say about human nature is that we can’t just leave things as they are.\u00a0 We like colorful, so we shall have colorful.\u00a0 Thus tattooing, body painting and other ways of adding pattern and color to the body are among the earliest and most universal of the arts.<\/p>\n

For a long time I’ve been using body paint as a way of exploring the body, its structure and its energy.\u00a0 This post features paintings that have the approach of patterning the body.\u00a0 Sometimes, as in the picture above, I simply stylize the underlying anatomical structures.<\/p>\n

One of the most basic characteristics of nearly all vertebrate body structures is bilateral symmetry, so the most basic division of the body is its center line.\u00a0 Below, I’ve made the right half of the body red, and the left half blue.<\/p>\n

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Bicameral Body, 2001, bodypaint and photo by Fred Hatt<\/p><\/div>\n

The painting below was made for a performance at Spring Studio by dancer Arthur Aviles.\u00a0 The preparation time was limited, so I simply made a single black line that meandered around the whole body, then painted the area on one side of the body yellow and on the other side blue, with two smaller areas, one on at the heart and another on the head, outlined and filled in in red.\u00a0 Combined with Arthur’s movement, this simple improvised patterning produced visual shapes in motion that were different from the body structures we’re used to seeing.<\/p>\n

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Earthman, 1997, bodypaint and photo by Fred Hatt<\/p><\/div>\n

The four-color map theorem<\/a> is a proven mathematical idea that “given any separation of a plane into contiguous regions, no more than four colors are required to color the regions so that no two adjacent regions have the same color”.\u00a0 Patterning the body can be about dividing it into regions of differing colors, a “body map”.\u00a0 The body map above is essentially just two regions, a yellow and a blue region, each of which has a single red island.\u00a0 The body map below is divided into a symmetrical pattern of regions using three colors, orange, green, and blue.<\/p>\n

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Faceted, 2001, bodypaint and photo by Fred Hatt<\/p><\/div>\n

In the painting below, there are are shapes of four colors, red, yellow, blue, and white, against a green background or base color.<\/p>\n

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Ghost Shreds, 2003, bodypaint and photo by Fred Hatt<\/p><\/div>\n

This kind of basic patterning, by tracing a wandering path over the surface of the body, then dividing it into different color regions, can be elaborated with a few simple additional strokes into a full-fledged abstract composition.<\/p>\n

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Modern Jazz, 2001, bodypaint and photo by Fred Hatt<\/p><\/div>\n

The shapes and strokes are always determined by the three dimensional contours of the body.\u00a0 The brush hand is always sensitive to both the energy and the physical structure of the living body that is the ground of the painting.<\/p>\n

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Lower Extremities, 1999, bodypaint and photo by Fred Hatt<\/p><\/div>\n

The underlying structures of energy and anatomy are so beautiful and so complex that any painting can only capture a very simplified response to this rich source material.<\/p>\n

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Ankh, 2001, bodypaint and photo by Fred Hatt<\/p><\/div>\n

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Serpentine, 1999, bodypaint and photo by Fred Hatt<\/p><\/div>\n

The remaining patterned body paintings in this post are presented with two photos per painting, showing how different poses reveal different aspects of these paintings as body explorations.\u00a0 This is part of the magic of body painting, that it is made in response to the living energy in the body and is then transformed and brought to life by the movement of that body.<\/p>\n

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Motley, 1999, bodypaint and photo by Fred Hatt<\/p><\/div>\n

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Motley, 1999, bodypaint and photo by Fred Hatt<\/p><\/div>\n

The patterns in the painting below are created by placing a hand on the body and painting around the fingers, like how kids are taught to draw a turkey based on a tracing of the hand, but with a more abstract impulse.<\/p>\n

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Clawmarked, 2009, bodypaint and photo by Fred Hatt<\/p><\/div>\n

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Clawmarked, 2009, bodypaint and photo by Fred Hatt<\/p><\/div>\n

This painting has a red-orange serpentine shape as its center, with lava-lamp shapes around it in various colors.<\/p>\n

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Vermilion River Map, 2001, bodypaint and photo by Fred Hatt<\/p><\/div>\n

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Vermilion River Map, 2001, bodypaint and photo by Fred Hatt<\/p><\/div>\n

In the painting below, there’s a white outline form filled in in various soft iridescent tones.<\/p>\n

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Cloisonn\u00e9, 2009, bodypaint and photo by Fred Hatt<\/p><\/div>\n

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Cloisonn\u00e9, 2009, bodypaint and photo by Fred Hatt<\/p><\/div>\n

This one’s done with fluorescent paints and photographed under blacklight.\u00a0 The pattern is dense and fragmented.<\/p>\n

\"\"<\/a>

Neon Creature, 2008, bodypaint and photo by Fred Hatt<\/p><\/div>\n

\"\"<\/a>

Neon Creature, 2008, bodypaint and photo by Fred Hatt<\/p><\/div>\n

Here’s another swirly patterning in green and blue against a white base, creating a feeling of energy coursing through the body.<\/p>\n

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Revelry, 2009, bodypaint and photo by Fred Hatt<\/p><\/div>\n

\"\"<\/a>

Revelry, 2009, bodypaint and photo by Fred Hatt<\/p><\/div>\n

I did the painting and the photography on all the images in this post.\u00a0 I’ve done no digital retouching to the painting – bodies sweat and move and rub against themselves, so body paint tends to smear, and where that’s happened I have not fixed it.<\/p>\n

Previous body painting posts include “Textural Bodypaint<\/a>“, and “Fire in the Belly<\/a>“, “Personal Painting<\/a>“, “Dorsal Emblems<\/a>“, and portfolios here<\/a> and here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

The human body is magnificent in its structure but fairly bland in coloration.\u00a0 It comes in a range of tones that can be roughly approximated by various ratios of coffee to cream.\u00a0 We admire the spots of the cheetah, the tiling of the giraffe, the patchwork of the calico cat, the bold colors of the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[166,23,44],"class_list":["post-2514","post","type-post","status-publish","format-standard","hentry","category-bodyart","tag-blacklight","tag-bodypaint","tag-nudes"],"yoast_head":"\nThe Patterned Body - 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