{"id":4028,"date":"2012-07-04T00:38:47","date_gmt":"2012-07-04T05:38:47","guid":{"rendered":"http:\/\/fredhatt.com\/blog\/?p=4028"},"modified":"2017-02-15T23:42:15","modified_gmt":"2017-02-16T04:42:15","slug":"different-strokes","status":"publish","type":"post","link":"http:\/\/fredhatt.com\/blog\/2012\/07\/04\/different-strokes\/","title":{"rendered":"Different Strokes"},"content":{"rendered":"
\"\"<\/a>

Porcupine, 1951, woodcut by Leonard Baskin<\/p><\/div>\n

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The magic of drawing or printmaking is in the strokes. \u00a0By strokes I mean the particular and idiosyncratic quality of the lines or other marks the artist makes. \u00a0Some lines jab while others meander. \u00a0Some markings are cloudy while others are crisp. \u00a0The strokes convey in a tactile way the essence of how the artist comes to grips with the challenge of capturing a thing seen or actualizing an inner vision. \u00a0Making a drawing is a journey of exploration, and these markings are the spoor of the trek. \u00a0When we look at a drawing, we can feel the energy that went into it in the particular flavor of its lineaments.<\/p>\n

In this post I present a goodly selection of mostly monochrome sketches and prints by a wide diversity of masterly mark-makers. \u00a0I’ll let the works speak for themselves and leave it to you to contemplate the contrasts among them. \u00a0I have generally chosen pieces with a direct, spontaneous quality, avoiding highly finished styles where the quality of line may be more a matter of design than of the energy of the mind and the hand. \u00a0I often tried to find unfamiliar examples of the work of well-known artists, and sometimes individual works that are not representative of the artists’ familiar styles. \u00a0I think you’ll be particularly surprised by the early De Kooning sketch!<\/p>\n

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Man Walking in a Field, 1883, conte crayon drawing by Georges Seurat<\/p><\/div>\n

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Portrait, title, date and medium unknown, by Paul Cadmus<\/p><\/div>\n

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Composition, 1916, medium unknown, by Wassily Kandinsky<\/p><\/div>\n

 <\/p>\n

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Edward Scissorhands, 1990, pen and pencil drawing by Tim Burton<\/p><\/div>\n

 <\/p>\n

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Autumn, 1970, engraving by Salvador\u00a0Dal\u00ed<\/p><\/div>\n

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Self Portrait, 1946, by David Alfaro Siqueiros<\/p><\/div>\n

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Musician portrait, date, title, and medium unknown, by Edgar Degas<\/p><\/div>\n

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Drawings, 1939, title and medium unknown, by Jackson Pollock<\/p><\/div>\n

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Saturn, 1516, engraving(?) by Hans Baldung Grien<\/p><\/div>\n

 <\/p>\n

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Resting Woman Wearing Tiara, 1936, pen and ink drawing by Henri Matisse<\/p><\/div>\n

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Sketchbook pages, date unknown, drawings by R. Crumb<\/p><\/div>\n

 <\/p>\n

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Reproduction Drawing III (after the Leonardo cartoon), 2010, media unknown, by Jenny Saville<\/p><\/div>\n

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Self Portrait at the Age of Eighty-Three, 1843, ink brush drawing by Hokusai<\/p><\/div>\n

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Untitled, 1981, drawing by Jean-Michel Basquiat<\/p><\/div>\n

 <\/p>\n

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Study for the Head of Leda, 1506, ink and chalk drawing by Leonardo da Vinci<\/p><\/div>\n

 <\/p>\n

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Gregory Hines, date and medium unknown, sketch by Jules Feiffer<\/p><\/div>\n

 <\/p>\n

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Study of the Head of Elizabeth Siddal for “Ophelia”, 1852, medium unknown, by John Everett Millais<\/p><\/div>\n

 <\/p>\n

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Femme nue couch\u00e9e, 1932, charcoal drawing by Pablo Picasso<\/p><\/div>\n

 <\/p>\n

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Old Man on a Swing, 1826, medium unknown, by Francisco Goya<\/p><\/div>\n

 <\/p>\n

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Untitled, 1950, ink drawing on parchment by Philip Guston<\/p><\/div>\n

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Europa, 1953, lithograph by Hans Erni<\/p><\/div>\n

 <\/p>\n

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Portrait of the Artist’s Mother, 1514, by Albrecht\u00a0D\u00fcrer<\/p><\/div>\n

 <\/p>\n

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Love Forever (TAOW), 2004, marker drawing on canvas by Yayoi Kusama<\/p><\/div>\n

 <\/p>\n

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Bird Personage, date and medium unknown, by Remedios Varo<\/p><\/div>\n

 <\/p>\n

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Court Room Scene, date and medium unknown, by\u00a0Honor\u00e9 Daumier<\/p><\/div>\n

 <\/p>\n

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Beekeepers, 1568, etching(?) by Pieter Bruegel the Elder<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Drawings, dates, titles and media unknown, by Alberto Giacometti<\/p><\/div>\n

 <\/p>\n

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Self Portrait, date and medium unknown, by Henry Fuseli<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Tree with Trunk, 1998, etching by Louise Bourgeois<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Drawing, 1944, title and medium unknown, by Pavel Tchelitchew<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Nude Study, 1908, etching by Georges Braque<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

The Sower, 1888, pencil and pen and ink drawing by Vincent van Gogh<\/p><\/div>\n

 <\/p>\n

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Portrait of Elaine De Kooning, 1940, pencil drawing by Willem De Kooning<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Some Can Fly and Some Can’t, 1939, medium unknown, by Rico Lebrun<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Le Chapeau-Main, 1947, lithograph by Hans Bellmer<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Sketch for “Apollo Slays Python”, 1850, medium unknown, drawing by\u00a0Eug\u00e8ne\u00a0Delacroix<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Madame Louis-Francois Godinot, 1829, medium unknown, drawing by Jean Auguste Dominique Ingres, with detail<\/p><\/div>\n

 <\/p>\n

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Corps de Dame, 1950, medium unknown, by Jean Dubuffet<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Cape Lion, 1650, medium unknown, drawing by Rembrandt van Rijn<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

The Man who Taught Blake Painting in his Dreams, 1820, print(?) by William Blake<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Five Swearing, 1912, oil sketch by Ferdinand Hodler<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Madame Sohn, 1918, charcoal sketch by Egon Schiele<\/p><\/div>\n

 <\/p>\n

\"\"<\/a>

Seated Bodhidharma, 18th century, ink brush drawing by Suio Genro<\/p><\/div>\n

 <\/p>\n

All the images used in this post were found on the web, and clicking on an image will take you to the page where I found it. \u00a0Any information about the artwork that is listed as “unknown” is information I was not able to find at the time of making the post. \u00a0If you can provide additional or corrected information I will incorporate it.<\/p>\n

Readers are invited to nominate some of their favorite drawings for an eventual sequel to this post!<\/p>\n","protected":false},"excerpt":{"rendered":"

  The magic of drawing or printmaking is in the strokes. \u00a0By strokes I mean the particular and idiosyncratic quality of the lines or other marks the artist makes. \u00a0Some lines jab while others meander. \u00a0Some markings are cloudy while others are crisp. \u00a0The strokes convey in a tactile way the essence of how the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[200,202,266],"tags":[271,17,123,270,61,44,18,96,22],"class_list":["post-4028","post","type-post","status-publish","format-standard","hentry","category-art-history-2","category-collections-of-images","category-top-ten","tag-art-history","tag-figures","tag-landscape","tag-movement-drawing","tag-nature","tag-nudes","tag-portraits","tag-sketch","tag-technique"],"yoast_head":"\nDifferent Strokes - 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