{"id":3447,"date":"2012-01-30T23:06:09","date_gmt":"2012-01-31T04:06:09","guid":{"rendered":"http:\/\/fredhatt.com\/blog\/?p=3447"},"modified":"2014-12-15T00:15:58","modified_gmt":"2014-12-15T05:15:58","slug":"liquid-light","status":"publish","type":"post","link":"http:\/\/fredhatt.com\/blog\/2012\/01\/30\/liquid-light\/","title":{"rendered":"Liquid Light"},"content":{"rendered":"
\"\"<\/a>\u00a0

Flowcoat, 1997, with Sue Doe, bodypaint and photo by Fred Hatt<\/p><\/div>\n

In the ’90’s I was known for a blacklight body painting act I developed with a dancer and performance artist called Sue Doe. \u00a0It was a sort of Pollockian erotic ritual of pouring, smearing, hurling, and squirting fluorescent paints. \u00a0Glowing colors would drip over contrasting hues in an ever-changing visual explosion, choreographed to music. \u00a0Our performance was featured on HBO’s magazine show “Real Sex<\/a>“, as part of a segment about the neo-burlesque Blue Angel Cabaret of New York. \u00a0Occasionally I still run into people who remember seeing us on TV. \u00a0Click here<\/a> to see excerpts from a version of this performance we did at one of my art openings.<\/p>\n

So we got a bit of low-level fame out of our act, but it was a little too wild and messy for the mainstream stage and we never made much money from it. \u00a0Eventually Sue moved out of town. \u00a0For several years I was known as the blacklight body paint guy and got gigs at parties, nightclubs, and promotional events, painting models or painting on the people attending the party, before I too tired of the nightclub life – dealing with drunks and taking the Subway home at 3:00 in the morning deafened and crusted in paint. \u00a0This post is a look back at some of the photos that survive from that episode of my career. \u00a0Some of the painting was done in challenging conditions, but I’ve refrained from retouching the pictures to make the painting look slicker than it did in reality. \u00a0In no particular order, here we go:<\/p>\n

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Vortex, 2002, bodypaint and photo by Fred Hatt<\/p><\/div>\n

Not all my blacklight body art was of the splash and smear variety. \u00a0Often my painting was inspired by my intuitive sense of energy patterns within the body. \u00a0In this approach, I have no preconceived design, but just let the brush follow the form and the feel. \u00a0The result is a spontaneous image of the body electric.<\/p>\n

\"\"<\/a>. \u00a0

Mamma, 2002, bodypaint and photo by Fred Hatt<\/p><\/div>\n

A blacklight<\/a> is a light source that emits mostly wavelengths too short for the human eye to see. \u00a0It’s like a visual dog whistle – the frequency is outside our range. \u00a0You might see a dull violet glow, but otherwise it’s pretty dark. \u00a0Fluorescent pigments, the kind used in blacklight paints<\/a>, are made from naturally occurring minerals that have a special property: when stimulated by light of any wavelength, they emit light of their own characteristic wavelength. \u00a0Returning to our audio metaphor, imagine the dog whistle causing a string to vibrate a note lower down on the scale.<\/p>\n

Fluorescent blacklight-activated pigments are also commonly known as DayGlo<\/a> colors (actually a brand name), since even in daylight they glow in their own hues more brightly than any ordinary reflective material could. \u00a0Under powerful blacklights, the paint is as bright as neon.<\/p>\n

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Poesia, 1999, bodypaint and photo by Fred Hatt<\/p><\/div>\n

Blacklights and Dayglo paints became very popular in the psychedelic ’60’s, and the effects tend to evoke memories of acid-rock discotheques, scary carnival rides, and vintage science fiction.<\/p>\n

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Brain, 2010, bodypaint and photo by Fred Hatt<\/p><\/div>\n

\"\"<\/a>

Priestess of Horus, 2002, bodypaint and photo by Fred Hatt<\/p><\/div>\n

The paints behave quite differently than regular paints. \u00a0The range of colors is limited, and there’s no white. \u00a0Whatever doesn’t fluoresce, including bare skin, becomes a dark background for the paint.<\/p>\n

The image below, and two others later in this post, are from an event with performance artist Amy Shapiro<\/a>, from Neke Carson’s performance series in the back room at the Gershwin Hotel<\/a>.<\/p>\n

\"\"<\/a>

Amazon, 2002, with Amy Shapiro, bodypaint and photo by Fred Hatt<\/p><\/div>\n

Here’s an odd effect, below. \u00a0The sensor on this early digital camera was actually sensitive to light in the blacklight range, but the lens focused those wavelengths on a different plane than the visible light. \u00a0Thus the paint appears in focus, while the face underlying it appears out of focus. \u00a0I find that a beautiful accident.<\/p>\n

\"\"<\/a>

Mask, 2002, bodypaint and photo by Fred Hatt <\/p><\/div>\n

\"\"<\/a>

Tetrapod, 1999, bodypaint and photo by Fred Hatt <\/p><\/div>\n

\"\"<\/a>

Authentic Person, 1999, bodypaint and photo by Fred Hatt<\/p><\/div>\n

For the slathering performances I used cheap poster paint. \u00a0It looks great but dries crusty. \u00a0Cosmetic body paint is a lot more comfortable to wear on the skin. \u00a0Even in the cosmetic paint, the fluorescent pigments tend to be a bit clumpy. \u00a0I tried to make the most of this peculiar texture in the painting.<\/p>\n

\"\"<\/a>

Scarab, 2002, bodypaint and photo by Fred Hatt<\/p><\/div>\n

Under mixed lighting, the paint still glows effectively as long as the visible light doesn’t completely overwhelm the blacklight, though the black background effect on the skin is lost.<\/p>\n

\"\"<\/a>

Channel, 1999, bodypaint and photo by Fred Hatt<\/p><\/div>\n

Orange is probably the most intense of all the fluorescent colors. \u00a0It looks positively fiery.<\/p>\n

\"\"<\/a>

Flame Tree, 2002, bodypaint and photo by Fred Hatt<\/p><\/div>\n

Below, an unpainted strip up the spine creates a dark shape. \u00a0The dancer’s sinuous moves turn this negative space into a snaky object moving against a bright background.<\/p>\n

\"\"<\/a>

Governing Vessel, 2002, with Amy Shapiro, bodypaint and photo by Fred Hatt <\/p><\/div>\n

\"\"<\/a>

Couple, 2003, bodypaint and photo by Fred Hatt<\/p><\/div>\n

A camera light meter is useless in figuring out the proper exposure for blacklight effects. \u00a0In the film photography era, you pretty much had to take a guess. \u00a0The photo below, taken during a performance, is a long enough exposure to give motion blur.<\/p>\n

\"\"<\/a>

Gesture, 1998, bodypainting performance by Sue Doe and Fred Hatt, photographer unknown<\/p><\/div>\n

The painting here almost obliterates the surface texture of the body. \u00a0It looks like a black velvet painting by a hypercaffeinated expresssionist.<\/p>\n

\"\"<\/a>

Impasto, 2008, bodypaint and photo by Fred Hatt <\/p><\/div>\n

\"\"<\/a>

Lightning Crouch, 1998, bodypainting performance by Sue Doe and Fred Hatt, photographer unknown<\/p><\/div>\n

This one’s a good example of the neon sign effect.<\/p>\n

\"\"<\/a>

Look Out, 2002, bodypaint and photo by Fred Hatt<\/p><\/div>\n

Below, the shape of the lower back of a seated model becomes a kind of vase out of which a phoenix rises.<\/p>\n

\"\"<\/a>

Phoenix Vessel, 2002, bodypaint and photo by Fred Hatt<\/p><\/div>\n

Sometimes I imagine that if we could see hidden dimensions, bodies would look like this for real – bodies of light.<\/p>\n

\"\"<\/a>

Power Plant, 2002, with Amy Shapiro, bodypaint and photo by Fred Hatt<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

In the ’90’s I was known for a blacklight body painting act I developed with a dancer and performance artist called Sue Doe. \u00a0It was a sort of Pollockian erotic ritual of pouring, smearing, hurling, and squirting fluorescent paints. \u00a0Glowing colors would drip over contrasting hues in an ever-changing visual explosion, choreographed to music. \u00a0Our […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10,265],"tags":[166,23,44],"class_list":["post-3447","post","type-post","status-publish","format-standard","hentry","category-bodyart","category-my-past-events","tag-blacklight","tag-bodypaint","tag-nudes"],"yoast_head":"\nLiquid Light - 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