{"id":1827,"date":"2010-09-09T20:16:59","date_gmt":"2010-09-10T01:16:59","guid":{"rendered":"http:\/\/fredhatt.com\/blog\/?p=1827"},"modified":"2014-12-14T20:50:47","modified_gmt":"2014-12-15T01:50:47","slug":"matisse-the-deconstructionist","status":"publish","type":"post","link":"http:\/\/fredhatt.com\/blog\/2010\/09\/09\/matisse-the-deconstructionist\/","title":{"rendered":"Matisse the Deconstructionist"},"content":{"rendered":"<div id=\"attachment_1829\" style=\"width: 406px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/theartblog.org\/2010\/07\/matisse-radical-invention-1913-14-at-moma\/\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-1829\" class=\"size-full wp-image-1829\" title=\"matisse-yvonne-landsberg\" alt=\"\" src=\"https:\/\/i0.wp.com\/fredhatt.com\/blog\/wp-content\/uploads\/2010\/09\/matisse-yvonne-landsberg.jpg?resize=396%2C600\" width=\"396\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/fredhatt.com\/blog\/wp-content\/uploads\/2010\/09\/matisse-yvonne-landsberg.jpg?w=396 396w, https:\/\/i0.wp.com\/fredhatt.com\/blog\/wp-content\/uploads\/2010\/09\/matisse-yvonne-landsberg.jpg?resize=198%2C300 198w\" sizes=\"(max-width: 396px) 100vw, 396px\" \/><\/a><p id=\"caption-attachment-1829\" class=\"wp-caption-text\">Portrait of Yvonne Landsberg, 1914, by Henri Matisse<\/p><\/div>\n<p>The exhibit <a href=\"http:\/\/www.moma.org\/visit\/calendar\/exhibitions\/969\" target=\"_blank\">\u201cMatisse: Radical Invention 1913-1917\u201d<\/a> is on view through October 11, 2010 at the <a href=\"http:\/\/www.moma.org\/\" target=\"_blank\">Museum of Modern Art<\/a> in New York.\u00a0 The show features work from a brief period in the middle of <a href=\"http:\/\/www.henri-matisse.net\/\" target=\"_blank\">Henri Matisse\u2019s<\/a> long career, roughly coinciding with the first World War.\u00a0 It shows the artist engaged in a heroic struggle to transform his \u201cdecorative\u201d style into something hard enough and grand enough to stand out in the twentieth century.<\/p>\n<p>Traditional painters start rough and then labor to make their work more polished, more developed, more elaborate.\u00a0 Matisse worked and reworked his canvases and sculptures to strip them to their structural essence.\u00a0 He had no interest in smoothing the brushstrokes or making a more convincing illusion of reality.<\/p>\n<div id=\"attachment_1832\" style=\"width: 389px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.henri-matisse.net\/paintings\/bs.html\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-1832\" class=\"size-full wp-image-1832\" title=\"el-matisse-notredame\" alt=\"\" src=\"https:\/\/i0.wp.com\/fredhatt.com\/blog\/wp-content\/uploads\/2010\/09\/el-matisse-notredame.jpg?resize=379%2C600\" width=\"379\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/fredhatt.com\/blog\/wp-content\/uploads\/2010\/09\/el-matisse-notredame.jpg?w=379 379w, https:\/\/i0.wp.com\/fredhatt.com\/blog\/wp-content\/uploads\/2010\/09\/el-matisse-notredame.jpg?resize=189%2C300 189w\" sizes=\"(max-width: 379px) 100vw, 379px\" \/><\/a><p id=\"caption-attachment-1832\" class=\"wp-caption-text\">View of Notre Dame, 1914, by Henri Matisse<\/p><\/div>\n<p>Matisse was born in 1869, when photography was already ubiquitous, and came of age in an era when the most interesting movements in art explored liberation from visual realism.\u00a0 His early work was a kind of post-impressionism, traditional subjects loosely painted with a sensuous approach to vivid colors.<\/p>\n<p>During the time period this show focuses on, Matisse was determined to take his work to a new level.\u00a0 Perhaps he was challenged by the impact made by the cubism of Picasso and Braque.\u00a0 Perhaps his previous work began to feel too small and genteel in a time of war. Many of his sculptures and large canvases of this time were repeatedly and heavily reworked, becoming in the process more austere, more bold, and more abstract.<\/p>\n<p>Even as the size of the works expanded towards the monumental, as Matisse\u2019s early rounded, cloudy forms gave way to angular slabs, and his sweet candy colors to fields of blue, black and gray, the images remain sensual and inviting &#8211; Matisse could not obscure his inner warmth.<\/p>\n<div id=\"attachment_1831\" style=\"width: 462px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.flickr.com\/photos\/23307082@N07\/3813090102\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-1831\" class=\"size-full wp-image-1831\" title=\"3813090102_b6a8d0746a_o-matisse-goldfish&amp;palette\" alt=\"\" src=\"https:\/\/i0.wp.com\/fredhatt.com\/blog\/wp-content\/uploads\/2010\/09\/3813090102_b6a8d0746a_o-matisse-goldfishpalette.jpg?resize=452%2C600\" width=\"452\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/fredhatt.com\/blog\/wp-content\/uploads\/2010\/09\/3813090102_b6a8d0746a_o-matisse-goldfishpalette.jpg?w=452 452w, https:\/\/i0.wp.com\/fredhatt.com\/blog\/wp-content\/uploads\/2010\/09\/3813090102_b6a8d0746a_o-matisse-goldfishpalette.jpg?resize=226%2C300 226w\" sizes=\"(max-width: 452px) 100vw, 452px\" \/><\/a><p id=\"caption-attachment-1831\" class=\"wp-caption-text\">Goldfish and Palette, 1914, by Henri Matisse<\/p><\/div>\n<p>Matisse knew that the process of working towards greater abstraction was as interesting as the final works.\u00a0 Photographers documented incremental stages of paintings that were revised over a period of years, and his sculpture, \u201cBack\u201d, was repeatedly altered by reworking plaster casts, retaining the molds of different versions.\u00a0 Even where earlier states of the paintings are not documented, Matisse left <a href=\"http:\/\/en.wikipedia.org\/wiki\/Pentimento\" target=\"_blank\">pentimenti<\/a> clear enough to invite the viewer to try to penetrate the development of the work by examining the layers of paint.<\/p>\n<div id=\"attachment_1830\" style=\"width: 402px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/en.wikipedia.org\/wiki\/File:Matisse_-_left_to_right_%27The_Back_I%27,_1908-09,_%27The_Back_II%27,_1913,_%27The_Back_III%27_1916,_%27The_Back_IV%27,_c._1931,_bronze,_Museum_of_Modern_Art_%28New_York_City%29.jpgo_right_The_Back_I_1908-09_The_Back_II_1913_The_Back_III_1916_The_Back_IV_c._1931_bronze_Museum_of_Modern_Art_New_York_City.jpg\"><img data-recalc-dims=\"1\" decoding=\"async\" aria-describedby=\"caption-attachment-1830\" class=\"size-full wp-image-1830\" title=\"Matisse_-_left_to_right_'The_Back_I',_1908-09,_'The_Back_II',_1913,_'The_Back_III'_1916,_'The_Back_IV',_c._1931,_bronze,_Museum_of_Modern_Art_(New_York_City)\" alt=\"\" src=\"https:\/\/i0.wp.com\/fredhatt.com\/blog\/wp-content\/uploads\/2010\/09\/Matisse_-_left_to_right_The_Back_I_1908-09_The_Back_II_1913_The_Back_III_1916_The_Back_IV_c._1931_bronze_Museum_of_Modern_Art_New_York_City.jpg?resize=392%2C600\" width=\"392\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/fredhatt.com\/blog\/wp-content\/uploads\/2010\/09\/Matisse_-_left_to_right_The_Back_I_1908-09_The_Back_II_1913_The_Back_III_1916_The_Back_IV_c._1931_bronze_Museum_of_Modern_Art_New_York_City.jpg?w=392 392w, https:\/\/i0.wp.com\/fredhatt.com\/blog\/wp-content\/uploads\/2010\/09\/Matisse_-_left_to_right_The_Back_I_1908-09_The_Back_II_1913_The_Back_III_1916_The_Back_IV_c._1931_bronze_Museum_of_Modern_Art_New_York_City.jpg?resize=196%2C300 196w\" sizes=\"(max-width: 392px) 100vw, 392px\" \/><\/a><p id=\"caption-attachment-1830\" class=\"wp-caption-text\">&#8220;The Back&#8221;, four versions, 1908 through 1931, by Henri Matisse<\/p><\/div>\n<p>The curators of this exhibit have used digital tools to analyze these stages of development, and one gallery presents this analysis in an animated display.\u00a0 If you are not able to make it to the Museum of Modern Art to see the exhibit, this exposition of the successive changes in \u201cBathers by a River\u201d and \u201cBack\u201d is presented in the excellent <a href=\"http:\/\/www.artic.edu\/aic\/exhibitions\/matisse\/splash.html\" target=\"_blank\">website<\/a> on \u201cMatisse: Radical Invention\u201d hosted by the Art Institute of Chicago, where the exhibit was initially shown.\u00a0 For anyone interested in the creative process of visual art, this website is worth perusing.<\/p>\n<p>Another great example of Matisse\u2019s work from this period is \u201cThe Piano Lesson\u201d, recently compared with other artists\u2019 treatment of the same theme in <a href=\"http:\/\/artmodel.wordpress.com\/2010\/04\/19\/pianoforte\/\" target=\"_blank\">this post<\/a> at my friend Claudia\u2019s blog, Museworthy.\u00a0 The original painting is in this show.\u00a0 It\u2019s eight feet tall and all that gray is surprisingly luminous.<\/p>\n<p>I also recommend <a href=\"http:\/\/www.henri-matisse.net\/index.html\" target=\"_blank\">matisse.net<\/a>, one of the best websites out there devoted to any artist&#8217;s full career.<\/p>\n<p>Images in this post were found on the web.\u00a0 Clicking on the images links back to the sites where I found them.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The exhibit \u201cMatisse: Radical Invention 1913-1917\u201d is on view through October 11, 2010 at the Museum of Modern Art in New York.\u00a0 The show features work from a brief period in the middle of Henri Matisse\u2019s long career, roughly coinciding with the first World War.\u00a0 It shows the artist engaged in a heroic struggle to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[238,216],"tags":[271,95,124,175,12,21,62],"class_list":["post-1827","post","type-post","status-publish","format-standard","hentry","category-homage-visual-artists","category-reviews-art-exhibitions","tag-art-history","tag-exhibits","tag-henri-matisse","tag-moma","tag-painting","tag-process","tag-sculpture"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Matisse the Deconstructionist - DRAWING LIFE by 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