Skip to content

Category Archives: Drawing

Back in Gray

For any artist, I think, regularity of work is essential.  For an artist like me who does other work to make a living, it can be very difficult to keep the creative practice vital and central.  I hold my life drawing practice as a constant.  Sometimes in my life I’m working on special creative projects, [...]

Navigational Perception

Synchronicity is a concept describing how seemingly unrelated things take on meaning by being experienced concurrently.  Years ago a friend gave me the Fall 1991 issue of the magazine “Whole Earth Review”.  It is 144 pages densely filled with a wide variety of articles on technology, ecology, and human potential – the promo on the [...]

Ritual of Enchantment: Human Clay

One of the most venerable functions of art is to transform the environment, to create a sacred space or a magical moment, to inspire the imagination or to open the mind to contemplate mysteries.  This may be the impulse behind the painted caves of the Ice Age, and it is why places to pray and [...]

Givens and Options

In an open life drawing session, the givens are simple:  There is a live nude model, who will take a pose and hold still for a designated period of time.  Using the materials of visual art, we must draw what we can from the model during the interval allowed.  Over a series of sessions, we can [...]

A Trio of Birthdays

1. This week, on March 15, Drawing Life turns three years old. 2. Minerva Durham’s Spring Studio, New York’s busy basement of figure drawing and one of the forges of my creative life, is celebrating its twentieth anniversary this month. 3. On the 12th, my brother Frank Hatt is celebrating another one of those decade birthdays. [...]

Better Tag Cloud